OLA spent his formative years in Nigeria, West
Africa. An artistic kid who knew he would be an entertainer
of some kind, Seeing the legendary James Brown live in concert
in the early 70s removed all doubt in his mind that he wanted
be a singer.
OLA returned to Britain, to pursue an education that ultimately
should have lead to a degree in Law, However it was not the
Bar that had the strongest hold on OLA's attention but the
Jazz bars and music venues of London. He dropped out of Law
School, enrolled at Art college where he knew there would be
music-a-plenty and joined every on campus band he could find!
Soon he was collaborating with other musicians on the london
gig circuit and signed to an Elektra US albums deal which ended
a year later. OLA spent the next few years surviving in the
session wilderness, supplying backing vocals for the likes
of George Michael, KD Lang, Simply Red and Michael Ball, amongst
others, doing jingle and voice over work for TV and Radio...
until he had the bright idea of setting up his own label, Rugged
Ram Records. to develop and release his projects.
OLA released his first single "You'd Better Believe" in
the summer of '94 to critical acclaim and strong radio support.
playlisted on BBC radio 1&2, Jazz FM, Kiss FM, choice FM
and many other specialist radio stations across the UK . The
track was licensed to several compilations and synchronised
to the feature length films (Tres Pas Catholique, Spin) and
many UK TV programs including The Bill and East Enders. OLA
released his first album "More Soul Than Sense" to
equally positive response in 1995. His recording career has
since spawned a further five well received albums. "From
Meaning Beyond Definition" (1997), "Precious Libations
for Silent Gods" (1999), "Ambitions For Deeper Breadth" (2002)
and "In Emergency Brake Silence" (2004). In the autmn
of 2007 , OLA will release his sixth studio album, THE DEVOURED
MAN.
OLA has opened for and guested with artistes such as Roberta
Flack, Natalie Cole, Gladys Knight, Diane Reeves, Al Jareau,
Patti LaBelle, Tower of Power, Joe Zawinul and Roy Hargrove.
He has collaborated with others such as Courtney Pine, NITRO
and world event organisers Serious. OLA has composed commissioned
Arias for the Royal Opera House. Receives professional music
equipment sponsorship from Shure Microphones, Scarbee & Mackie.
OLA's 100 or more live performances a year are second to none.
They take in prestigious venues and festivals far and wide
such as The Royal Festival Hall & Ronnie Scotts - UK, The
Blue Note - New York , The Kenedy Center for the Arts - Wasington
DC, The New Morning - Paris, The Arlene Jazz Festival -Germany,
as well as many more Theatres, Art Centres and Music venues
in Europe & America.
His voice is described by The Voice magazine as "achingly
beautiful and passionate in it's every expression" and "a
lived in, soul drenched, well mastered instrument". by
Blues and Soul Magazine. Versatile enough to be turned into
a fully fledged funk tool that can have an audience up on it's
feet and grooving in no time at all... Echoes Magazine Of his
live performances the BBC say "This guy is amazing, never
before have I seen someone so totally connect with their audience,
if you only see one soul singer this year, make sure it's OLA".
OLA's songwriting is rich in melody, set to complex yet infectious
rhythms. They tinged with the influence of his African roots.
His lyrics are incisive and true without contrivance or self-consciousness,
yet they tackle subject matter as diverse as socio-political
commentary to lovelorn heartbreak as skilfully as the best
in the genre. His stage craft replete with effortless charisma
and sex appeal.
It is no wonder then that many in the music press and his
many loyal fans around the UK and beyond feel that with OLA
they are in on what is possibly the best kept secret in British
Music!
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